In the marketing world being “the first” is an incredible thing. Whether it is being the first brand in a niche product category, the first to use a new media strategy or the first to make a creative new ad claim, people take notice. Firsts also provide tremendous competitive advantage. The only thing worse than being second is blatantly copying the brand that did it first. We’re talking to you Dairy Queen!
If you haven’t seen Dairy Queen’s latest campaign – take a look. For me, it’s a little too close to Old Spice’s campaign. We all know how popular and successful Old Spice’s use of the sarcastic new icon was with the over-the-top irony of their spots. They scored a huge “first.” They came up with a creative strategy that really worked to grab (and hold) the attention of their target audience. It was so popular many of the spots went viral, topping the most watched YouTube video charts. So I can certainly understand why someone in a board room at Dairy Queen must’ve thought – let’s do that! And granted, the two brands aren’t even in the same product category, but still – did they really think the copycat campaign wouldn’t be obvious? And the worst part? Others (like Edge Shave Gel) have starting shamelessly jumping on the bandwagon.
Lesson learned: do your own thing. Sure, plenty of people say there are no more new ideas out there; that everything we come up with has probably been used in some way, shape or form at some point over the past 100 years (even if we don’t know it). Maybe that’s true in many cases, but that doesn’t mean we’ve lost our ability to create new and impactful advertising. And I’m not saying we shouldn’t use creative ideas and strategies from great campaigns that are already out there. We should be inspired by the great advertising around us, not take the easy, copycat way out.
Last Call, a dark and interactive horror film created by German horror channel 13th Street, just scored a top prize at the Cannes Lions. Owned by NBC Universal, 13th Street’s take on branding goes above and beyond anything we’ve seen lately.
Interactivity
The movie-turned-commercial is interactively groundbreaking; it uses new technology to allow the audience to participate in the film. Using voice recognition software, a select audience member is chosen to give instructions via cell phone to the protagonist in the story. Because each audience member provides different answers, each creates a unique film.
The great thing about this (or any) interactive campaign is that it allows the consumer to participate. It gives them something to latch onto that reinforces what the German Horror Channel is all about. It creates an active experience out of what would ordinarily be a passive one, allowing the consumer to have in depth interaction with the movie and brand.
Branding & Identity Strength
Zombies might not be your thing, but this stuff has some strength. In addition to the interactive movie-turned-commercial, a series of stationary was created. It seems that every aspect was thought out, taking normal stationary to interactive and creative pieces of advertising. It took 13th Street branding to an entirely new level, continuing along the path of interactivity (as you rip the envelope open, you also “rip off” some dead guy’s eyeballs).
Although it might be gory and gross, the movie and stationary have some mental staying power. They are brilliantly unique and again, reinforce what the German horror channel is all about: gore, guts, and scary stuff.
While the creativity is strong, there lacks a certain carryover. The 13th Street website lacks any resemblence of the strong brand identity that the movie, stationary, and overall brand have. If NBC had carried this over, the overall impact could have been staggering.
What do you think about the horror filled movie and stationary?
Images compliments of Behance.
Our reputation is based on our creativity. That doesn’t sound very unique for an ad agency to say but it’s all about how you define creativity. Many creatives lean towards a dramatic visual as the definition of creative. Others lean toward provocative copy. Very few put the two together. Even fewer support the visual or copy to show the advantage of the product. One of the ad giants of the industry once said: an interesting image would be a man standing on his head. I agree it would catch the eye but then what? Unless you’re selling a product that keeps things from falling out of that man’s pocket, it’s just an image that has no meaning.
Take a look at the ad campaigns out there. Whether it be a billboard or a banner ad, I ask you to look for this: Can you identify the unexpected, dramatic element in each ad and determine if it passes the test for relevance? Does the entertainment overshadow or fail to deliver the sales message?
In this list of “50 extraordinary and attractive billboards,” we could only find a few ads that are entertaining AND relate that image to the product and/or message (see below).
Here are a few of our ads from our Flickr Photostream. We are confident in our ability to use eye-catching creative that means something to your audience.
All ad agencies can claim creativity. Unfortunately for some, creativity simply means entertainment. Open your mind.



















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